{"id":1046,"date":"2020-05-02T17:43:15","date_gmt":"2020-05-02T15:43:15","guid":{"rendered":"https:\/\/ernest-altes.net\/?page_id=1046"},"modified":"2025-12-08T19:08:51","modified_gmt":"2025-12-08T18:08:51","slug":"manifestations-divers","status":"publish","type":"page","link":"https:\/\/ernest-altes.net\/fr\/notes\/manifestations-divers\/","title":{"rendered":"Autres"},"content":{"rendered":"\n\n\t<h1>\n\t\t\t\tAUTRES\n\t\t\t<\/h1>\n\t<h2>\n\t\t\t\tManifestations\n\t\t\t<\/h2>\n\t<ul>\n<li>1984\n<ul>\n<li><strong>Arco<\/strong> &#8211; Galerie Joan de Serrallonga (Madrid&nbsp;&#8211;&nbsp;ES).<\/li>\n<\/ul>\n<\/li>\n<li>1987\n<ul>\n<li><strong>Arco<\/strong> &#8211; Galerie Thomas Carstens (Madrid&nbsp;&#8211;&nbsp;ES).<\/li>\n<\/ul>\n<\/li>\n<li>1989\n<ul>\n<li><strong>Art Jonction International<\/strong> (Nice&nbsp;&#8211;&nbsp;FR).<\/li>\n<\/ul>\n<\/li>\n<li>1990\n<ul>\n<li><strong>Art Jonction International<\/strong> (Nice&nbsp;&#8211;&nbsp;FR).<\/li>\n<li><strong>Lineart<\/strong> (Gand&nbsp;&#8211;&nbsp;BE).<\/li>\n<li><strong>Art Fair<\/strong> (Stockholm&nbsp;&#8211;&nbsp;SE).<\/li>\n<\/ul>\n<\/li>\n<li>1991\n<ul>\n<li><strong>Lineart<\/strong> (Gand&nbsp;&#8211;&nbsp;BE).<\/li>\n<li><strong>D\u00e9couvertes &#8211; art actuel<\/strong> &#8211; Galerie Adriana Schmidt (Paris&nbsp;&#8211;&nbsp;FR).<\/li>\n<li><strong>Gr\u00e0fic-Art 91<\/strong> &#8211; Galerie P\u00e8rgamon (Barcelone&nbsp;&#8211;&nbsp;ES).<\/li>\n<\/ul>\n<\/li>\n<li>1992\n<ul>\n<li><strong>Arco<\/strong> &#8211; Galerie Adriana Schmidt (Madrid&nbsp;&#8211;&nbsp;ES).<\/li>\n<li><strong>Saga<\/strong> &#8211; Galerie Adriana Schmidt (Paris&nbsp;&#8211;&nbsp;FR).<\/li>\n<\/ul>\n<\/li>\n<li>1994\n<ul>\n<li><strong>Kunstmesse<\/strong> (Francfort&nbsp;&#8211;&nbsp;DE).<\/li>\n<\/ul>\n<\/li>\n<li>1996\n<ul>\n<li><strong>Art Chicago &rsquo;96<\/strong> &#8211; Galerie Scheffel (Chicago&nbsp;&#8211;&nbsp;US).<\/li>\n<li><strong>Art Cologne<\/strong> (Cologne&nbsp;&#8211;&nbsp;DE).<\/li>\n<\/ul>\n<\/li>\n<li>1997\n<ul>\n<li><strong>Artist Book International<\/strong> &#8211; Boza \u00c9dition (New York&nbsp;&#8211;&nbsp;US).<\/li>\n<\/ul>\n<\/li>\n<li>1998\n<ul>\n<li><strong>Arco<\/strong> &#8211; Boza \u00c9dition (Madrid&nbsp;&#8211;&nbsp;ES).<\/li>\n<\/ul>\n<\/li>\n<li>2000\n<ul>\n<li><strong>Arco<\/strong> &#8211; Boza \u00c9dition (Madrid&nbsp;&#8211;&nbsp;ES).<\/li>\n<\/ul>\n<\/li>\n<li>2021\n<ul>\n<li><strong>Feriarte<\/strong> &#8211; Clavell &amp; Morgades (Madrid&nbsp;&#8211;&nbsp;ES).<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n\t<h2>\n\t\t\t\tDivers\n\t\t\t<\/h2>\n\t<ul>\n<\/ul><ul>\n<li>1983\n<ul>\n<li>Conf\u00e9rence <strong>\u00ab Ferro ara \u00bb<\/strong> &#8211; Escola arts i oficis (Vic &#8211; ES).<\/li>\n<\/ul>\n<\/li>\n<li>1987\n<ul>\n<li><strong>\u00c9dition<\/strong> du livre <strong>\u00ab Escultura \u00bb<\/strong> &#8211; Editorial Sin\u00f2psi (Barcelone\u00a0&#8211;\u00a0ES).<\/li>\n<\/ul>\n<\/li>\n<li>1988\n<ul>\n<li><strong>R\u00e9alisation<\/strong> du troph\u00e9e <strong>\u00ab Salvador Espriu \u00bb<\/strong> &#8211; Fundaci\u00f3 Pere Verg\u00e9s (Barcelone\u00a0&#8211;\u00a0ES).<\/li>\n<\/ul>\n<\/li>\n<li>1989\n<ul>\n<li>1<sup>er<\/sup> <strong>accessit \u00ab Miquel Casablancas \u00bb<\/strong> &#8211; Sant Andreu (Barcelone\u00a0&#8211;\u00a0ES).<\/li>\n<li>2<sup>e<\/sup> <strong>prix<\/strong> de la 1<sup>re<\/sup> <strong>\u00ab Biennale de G\u00e9rone \u00bb<\/strong> (G\u00e9rone\u00a0&#8211;\u00a0ES).<\/li>\n<\/ul>\n<\/li>\n<li>1990\n<ul>\n<li><strong>Bildhauer Symposium L\u00fctzowplatz<\/strong> (Berlin\u00a0&#8211;\u00a0DE).<\/li>\n<\/ul>\n<\/li>\n<li>1991\n<ul>\n<li><strong>Expo&rsquo;91 &#8211; IV<\/strong> &#8211; Jocs dels petits estats d&rsquo;Europa &#8211; Palau del Gel (Canillo\u00a0&#8211;\u00a0AD).<\/li>\n<\/ul>\n<\/li>\n<li>1992\n<ul>\n<li><strong>\u00c9dition<\/strong> du livre <strong>\u00ab El Silenci \u00bb<\/strong> &#8211; Editorial Mai\u00e0 (Andorre) &#8211; Gravats i poemes de M. Mart\u00ed i Pol.<\/li>\n<\/ul>\n<\/li>\n<li>1993\n<ul>\n<li>2<sup>e<\/sup> <strong>prix<\/strong> du <strong>\u00ab Premio Nacional de grabado \u00bb<\/strong> &#8211; Calcografia Nacional &#8211; Real Academia de San Fernando (Madrid\u00a0&#8211;\u00a0ES).<\/li>\n<\/ul>\n<\/li>\n<li>1994\n<ul>\n<li><strong>R\u00e9alisation<\/strong> du troph\u00e9e des <strong>\u00ab Jocs Florals \u00bb<\/strong> &#8211; Ajuntament de Barcelone (Barcelone\u00a0&#8211;\u00a0ES).<\/li>\n<li><strong>R\u00e9alisation<\/strong> du troph\u00e9e du <strong>\u00ab Premi d&rsquo;Honor de les lletres Catalanes \u00bb<\/strong> &#8211; \u00d2mnium Cultural (Barcelone\u00a0&#8211;\u00a0ES).<\/li>\n<\/ul>\n<\/li>\n<li>1995\n<ul>\n<li><strong>\u00c9dition<\/strong> du livre <strong>\u00ab Passatges \u00bb<\/strong> &#8211; avec E. Balcells, A. Valero &#8211; Gr\u00e0fic (Barcelone\u00a0&#8211;\u00a0ES).<\/li>\n<\/ul>\n<\/li>\n<li>1997\n<ul>\n<li><strong>\u00c9dition<\/strong> du livre <strong>\u00ab El Llibre de l&rsquo;Aigua \u00bb<\/strong> &#8211; gravures &#8211; versions de Matsuo Bash\u014d par Jordi Coca &#8211; Boza editor (Barcelone\u00a0&#8211;\u00a0ES).<\/li>\n<li>2<sup>e<\/sup> <strong>prix \u00ab Justice Center : Escultura Monumental \u00bb<\/strong> (Brighton\u00a0&#8211;\u00a0Colorado\u00a0&#8211;\u00a0US).<\/li>\n<\/ul>\n<\/li>\n<li>2001\n<ul>\n<li><strong>V Symposium<\/strong> sur les \u00ab granits Bretons \u00bb (Louvign\u00e9-du-D\u00e9sert &#8211; FR).<\/li>\n<li><strong>II Symposium : art contemporani a l&rsquo;espai urb\u00e0<\/strong> &#8211; Col\u00b7legi d&rsquo;Aparelladors i Arquitectes t\u00e8cnics de Barcelone (Barcelone\u00a0&#8211;\u00a0ES).<\/li>\n<\/ul>\n<\/li>\n<li>2002\n<ul>\n<li><strong>\u00ab Siffacus \u00bb<\/strong> &#8211; Utilitzaci\u00f3 de l&rsquo;Aigua a una pla\u00e7a de Puigcerd\u00e0 avec X. Cosp [architecte] (G\u00e9rone\u00a0&#8211;\u00a0ES).<\/li>\n<\/ul>\n<\/li>\n<li>2003\n<ul>\n<li>Conf\u00e9rence <strong>\u00ab L&rsquo;escultor davant l&rsquo;obra en l&rsquo;espai p\u00fablic \u00bb<\/strong> &#8211; Facultat de Belles Arts (Bilbao &#8211; ES).<\/li>\n<li><strong>Plaque<\/strong> maison natale de Jaume Fuster (Barcelone\u00a0&#8211;\u00a0ES).<\/li>\n<\/ul>\n<\/li>\n<li>2006\n<ul>\n<li>Conf\u00e9rence <strong>\u00ab El treball creatiu a la Cerdanya \u00bb<\/strong> &#8211; III Trobades Culturals Pirenenques (Coll de Narg\u00f3 &#8211; ES).<\/li>\n<\/ul>\n<\/li>\n<li>2009\n<ul>\n<li><strong>Sc\u00e9nographie<\/strong> de la pi\u00e8ce <strong>\u00ab Iphig\u00e9nie \u00bb<\/strong> &#8211; dir. Jordi Coca &#8211; Grec 09 (Barcelone\u00a0&#8211;\u00a0ES).<\/li>\n<\/ul>\n<\/li>\n<li>2010\n<ul>\n<li>Conf\u00e9rence <strong>\u00ab Deu escultures p\u00fabliques i una pla\u00e7a al Pirineu \u00bb<\/strong> (Esterri d&rsquo;\u00c0neu &#8211; ES).<\/li>\n<li><strong>Plaque<\/strong> \u00e0 la m\u00e9moire de l&rsquo;architecte \u00c0ngel Juv\u00e9 (Pedra &#8211;\u00a0 ES).<\/li>\n<\/ul>\n<\/li>\n<li>2012\n<ul>\n<li>Conf\u00e9rence <strong>\u00ab S\u00f3c escultor \u00bb<\/strong> &#8211; Escola d&rsquo;Arts i oficis (Gironella &#8211; ES).<\/li>\n<\/ul>\n<\/li>\n<li>2016\n<ul>\n<li>Conf\u00e9rence <strong>\u00ab Art : Valor i Patrimoni \u00bb<\/strong> &#8211; Trobades Culturals Pirinenques (C\u00e9ret\u00a0&#8211;\u00a0FR).<\/li>\n<li><strong>R\u00e9alisation<\/strong> du prix de la Fundaci\u00f3 Congr\u00e9s de la Cultura Catalana.<\/li>\n<\/ul>\n<\/li>\n<li>2017\n<ul>\n<li><strong>R\u00e9alisation<\/strong> du prix <strong>\u00ab Premi Egozcue \u00bb<\/strong> &#8211; Grup de Recerca de Cerdanya.<\/li>\n<\/ul>\n<\/li>\n<li>2019\n<ul>\n<li><strong>Sc\u00e9nographie<\/strong> de la pi\u00e8ce <strong>\u00ab La tente \u00bb<\/strong> &#8211; texte C. Ponti, dir. Neus Vila &#8211; Festival d&rsquo;Avignon et tourn\u00e9e (FR).<\/li>\n<\/ul>\n<\/li>\n<li>2021\n<ul>\n<li><strong>Sc\u00e9nographie<\/strong> de la pi\u00e8ce <strong>\u00ab Ph\u00e8dre \u00bb<\/strong> &#8211; Compagnie Mesemes &amp; compagnie du Sarment.<\/li>\n<li><strong>Prix international<\/strong> de sculpture <strong>Angel Orensanz<\/strong> (Sabi\u00f1\u00e1nigo &#8211; ES).<\/li>\n<\/ul>\n<\/li>\n<li>2022\n<ul>\n<li>Conf\u00e9rence <strong>Cr\u00e9ation contemporaine &#8211; Pirineus<\/strong> &#8211; Universit\u00e9 Catalane d&rsquo;\u00e9t\u00e9 (Prades\u00a0&#8211;\u00a0FR).<\/li>\n<\/ul>\n<\/li>\n<li>2024\n<ul>\n<li><strong>R\u00e9alisation<\/strong> des prix aux auteurs du <strong>Congr\u00e8s international d&rsquo;arch\u00e9ologie<\/strong> &#8211; Institut d&rsquo;Estudis Ceretans (ES).<\/li>\n<li><strong>R\u00e9alisation<\/strong> du prix <strong>\u00ab \u00c9crivains de la r\u00e9gion \u00bb<\/strong> &#8211; Consell Comarcal del Maresme (ES).<\/li>\n<\/ul>\n<\/li>\n<li>2025\n<ul>\n<li><strong>R\u00e9alisation<\/strong> du prix <strong>\u00ab Amunt \u00bb<\/strong> &#8211; La Vall Fosca (Pallars\u00a0&#8211;\u00a0ES).<\/li>\n<li><strong>Collaboration<\/strong> \u00e0 la <strong>sc\u00e9nographie<\/strong> de l&rsquo;\u0153uvre <strong>\u00ab C&rsquo;est mon arbre \u00bb<\/strong> d&rsquo;O. Tallec &#8211; Compagnie du Sarment.<\/li>\n<li>Conf\u00e9rence <strong>\u00ab Le fer dans l&rsquo;art moderne et contemporain dans les Pyr\u00e9n\u00e9es \u00bb<\/strong> &#8211; XXII<sup>e<\/sup> Rencontres culturelles pyr\u00e9n\u00e9ennes &#8211; Soci\u00e9t\u00e9 Andorrane des Sciences (Gipuzkoa &#8211; ES).<\/li>\n<li><strong>\u00ab Art et humanit\u00e9s \u00bb<\/strong> dans le cadre du Congr\u00e8s International Arts et humanit\u00e9s pour le bien-\u00eatre et l&rsquo;inclusion sociale. UVIC\/UCC. Universit\u00e9 de Vic (Vic -ES).<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n\n\n\n","protected":false},"excerpt":{"rendered":"<p>AUTRES Manifestations 1984 Arco &#8211; Galerie Joan de Serrallonga (Madrid&nbsp;&#8211;&nbsp;ES). 1987 Arco &#8211; Galerie Thomas Carstens (Madrid&nbsp;&#8211;&nbsp;ES). 1989 Art Jonction International (Nice&nbsp;&#8211;&nbsp;FR). 1990 Art Jonction International (Nice&nbsp;&#8211;&nbsp;FR). Lineart (Gand&nbsp;&#8211;&nbsp;BE). Art Fair (Stockholm&nbsp;&#8211;&nbsp;SE). 1991 Lineart (Gand&nbsp;&#8211;&nbsp;BE). D\u00e9couvertes &#8211; art actuel &#8211; Galerie Adriana Schmidt (Paris&nbsp;&#8211;&nbsp;FR). Gr\u00e0fic-Art 91 &#8211; Galerie P\u00e8rgamon (Barcelone&nbsp;&#8211;&nbsp;ES). 1992 Arco &#8211; Galerie Adriana [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":1796,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"no-sidebar","site-content-layout":"page-builder","ast-site-content-layout":"full-width-container","site-content-style":"unboxed","site-sidebar-style":"unboxed","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"default","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-1046","page","type-page","status-publish","hentry"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/ernest-altes.net\/fr\/wp-json\/wp\/v2\/pages\/1046","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ernest-altes.net\/fr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ernest-altes.net\/fr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ernest-altes.net\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ernest-altes.net\/fr\/wp-json\/wp\/v2\/comments?post=1046"}],"version-history":[{"count":3,"href":"https:\/\/ernest-altes.net\/fr\/wp-json\/wp\/v2\/pages\/1046\/revisions"}],"predecessor-version":[{"id":3482,"href":"https:\/\/ernest-altes.net\/fr\/wp-json\/wp\/v2\/pages\/1046\/revisions\/3482"}],"up":[{"embeddable":true,"href":"https:\/\/ernest-altes.net\/fr\/wp-json\/wp\/v2\/pages\/1796"}],"wp:attachment":[{"href":"https:\/\/ernest-altes.net\/fr\/wp-json\/wp\/v2\/media?parent=1046"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}