{"id":1353,"date":"2020-05-02T17:43:15","date_gmt":"2020-05-02T15:43:15","guid":{"rendered":"https:\/\/ernest-altes.net\/manifestations-divers\/"},"modified":"2025-12-08T19:25:23","modified_gmt":"2025-12-08T18:25:23","slug":"event-various","status":"publish","type":"page","link":"https:\/\/ernest-altes.net\/en\/notes\/event-various\/","title":{"rendered":"Event &#8211; Various"},"content":{"rendered":"\n\n\t<h1>\n\t\t\t\tVARIOUS\n\t\t\t<\/h1>\n\t<h2>\n\t\t\t\tEvents\n\t\t\t<\/h2>\n\t<ul>\n<li>1984\n<ul>\n<li><strong>Arco<\/strong>\u00a0&#8211; Gallery Joan de Serrallonga &#8211;<br \/>\nMadrid (ES).<\/li>\n<\/ul>\n<\/li>\n\n<li>1987\n<ul>\n<li><strong>Arco<\/strong> &#8211; Gallery Thomas Carstens &#8211; Madrid (ES).<\/li>\n<\/ul>\n<\/li>\n\n<li>1989\n<ul>\n<li><strong>Art Jonction Internacional <\/strong>&#8211; Nice (FR).<\/li>\n<\/ul>\n<\/li>\n\n<li>1990\n<ul>\n<li><strong>Art Jonction Internacional <\/strong>&#8211; Nice (FR).<\/li>\n\n<li><strong>Lineart<\/strong> &#8211; Ghent (BE).<\/li>\n\n<li><strong>Art Fair<\/strong> &#8211; Estocolm (CH).<\/li>\n<\/ul>\n<\/li>\n\n<li>1991\n<ul>\n<li><strong>Lineart<\/strong> &#8211; Ghent (BE).<\/li>\n\n<li><strong>D\u00e9couvertes &#8211; art actuel &#8211; <\/strong>Gallery Adriana Schmidt\u00a0&#8211; Paris (FR).<\/li>\n\n<li><strong>Gr\u00e0fic-Art 91<\/strong>\u00a0 &#8211; Gallery P\u00e8rgamon &#8211; Barcelona &#8211; (ES).<\/li>\n<\/ul>\n<\/li>\n\n<li>1992\n<ul>\n<li><strong>Arco <\/strong>&#8211; Gallery Adriana Schmidt &#8211; Madrid &#8211; (ES).<\/li>\n\n<li><strong>Saga <\/strong>&#8211; Gallery Adriana Schmidt &#8211; Paris (FR).<\/li>\n<\/ul>\n<\/li>\n\n<li>1994\n<ul>\n<li><strong>Kunstmesse<\/strong> &#8211; Frankfurt (DE).<\/li>\n<\/ul>\n<\/li>\n\n<li>1996\n<ul>\n<li><strong>Art Chicago&#8217;96<\/strong>\u00a0&#8211; Gallery Scheffel &#8211; (US).<\/li>\n\n<li><strong>Art Cologne<\/strong> (DE).<\/li>\n<\/ul>\n<\/li>\n\n<li>1997\n<ul>\n<li><strong> Artist book int <\/strong>&#8211; Boza Publishing house &#8211; New York (US).<\/li>\n<\/ul>\n<\/li>\n\n<li>1998\n<ul>\n<li><strong>Arco<\/strong> &#8211; Boza Publishing house &#8211; Madrid &#8211; (ES).<\/li>\n<\/ul>\n<\/li>\n\n<li>2000\n<ul>\n<li><strong>Arco<\/strong> &#8211; Boza Publishing house &#8211; Madrid &#8211; (ES).<\/li>\n<\/ul>\n<\/li>\n\n<li>2021\n<ul>\n<li><strong>Feriarte<\/strong> &#8211; Clavell &amp; Morgades &#8211; Madrid &#8211; (ES).<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n\t<h2>\n\t\t\t\tVarious\n\t\t\t<\/h2>\n\t<ul>\n<\/ul><ul>\n<li>1983\n<ul>\n<li>Conference <strong>&#8220;\u202fFerro ara&#8221;<\/strong> &#8211; Escola arts i oficis &#8211; Vic (Barcelona\u00a0&#8211;\u00a0ES).<\/li>\n<\/ul>\n<\/li>\n<li>1987\n<ul>\n<li><strong>Book edition<\/strong> <strong>&#8220;\u202fEscultura&#8221;<\/strong> &#8211; Editorial Sin\u00f2psi (Barcelona\u00a0&#8211;\u00a0ES).<\/li>\n<\/ul>\n<\/li>\n<li>1988\n<ul>\n<li><strong>Design and creation<\/strong> of the <strong>&#8220;\u202fSalvador Espriu&#8221;<\/strong> award &#8211; Fundaci\u00f3 Pere Verg\u00e9s (Barcelona\u00a0&#8211;\u00a0ES).<\/li>\n<\/ul>\n<\/li>\n<li>1989\n<ul>\n<li>1st runner-up <strong>&#8220;\u202fMiquel Casablancas&#8221;<\/strong> award &#8211; Sant Andreu (Barcelona\u00a0&#8211;\u00a0ES).<\/li>\n<li>2nd prize &#8211; 1st <strong>&#8220;\u202fGirona Biennial&#8221;<\/strong> (Girona\u00a0&#8211;\u00a0ES).<\/li>\n<\/ul>\n<\/li>\n<li>1990\n<ul>\n<li><strong>Bildhauer Symposium L\u00fctzowplatz<\/strong> &#8211; Berlin (DE).<\/li>\n<\/ul>\n<\/li>\n<li>1991\n<ul>\n<li><strong>Expo&#8217;91 &#8211; IV<\/strong> &#8211; Games of the Small States of Europe &#8211; Palau del Gel &#8211; Canillo (AD).<\/li>\n<\/ul>\n<\/li>\n<li>1992\n<ul>\n<li><strong>Book edition<\/strong> <strong>&#8220;\u202fEl Silenci&#8221;<\/strong> &#8211; Editorial Mai\u00e0 (Andorra) &#8211; Prints and poems by M. Mart\u00ed i Pol.<\/li>\n<\/ul>\n<\/li>\n<li>1993\n<ul>\n<li>2nd prize &#8211; <strong>&#8220;\u202fPremio Nacional de Grabado&#8221;<\/strong> &#8211; Calcograf\u00eda Nacional &#8211; Real Academia de San Fernando (Madrid\u00a0&#8211;\u00a0ES).<\/li>\n<\/ul>\n<\/li>\n<li>1994\n<ul>\n<li><strong>Design and creation<\/strong> of the <strong>&#8220;\u202fJocs Florals&#8221;<\/strong> trophy &#8211; Barcelona City Council (Barcelona\u00a0&#8211;\u00a0ES).<\/li>\n<li><strong>Design and creation<\/strong> of the <strong>&#8220;\u202fPremi d&#8217;Honor de les Lletres Catalanes&#8221;<\/strong> trophy &#8211; \u00d2mnium Cultural (Barcelona\u00a0&#8211;\u00a0ES).<\/li>\n<\/ul>\n<\/li>\n<li>1995\n<ul>\n<li><strong>Book edition<\/strong> <strong>&#8220;\u202fPassatges&#8221;<\/strong> &#8211; with E. Balcells &amp; A. Valero &#8211; Gr\u00e0fic (Barcelona\u00a0&#8211;\u00a0ES).<\/li>\n<\/ul>\n<\/li>\n<li>1997\n<ul>\n<li><strong>Book edition<\/strong> <strong>&#8220;\u202fEl Llibre de l&#8217;Aigua&#8221;<\/strong> &#8211; prints &#8211; versions of Matsuo Bash\u014d poems by Jordi Coca &#8211; Boza editor (Barcelona\u00a0&#8211;\u00a0ES).<\/li>\n<li>2nd prize <strong>&#8220;\u202fJustice Center: Monumental Sculpture&#8221;<\/strong> &#8211; Brighton (Colorado\u00a0&#8211;\u00a0US).<\/li>\n<\/ul>\n<\/li>\n<li>2001\n<ul>\n<li><strong>V Symposium on &#8220;\u202fBreton granites&#8221; &#8211; Louvign\u00e9-du-D\u00e9sert (FR).<\/strong><\/li>\n<li><strong>II Symposium: Contemporary art in urban space<\/strong> &#8211; College of Technical Architects of Barcelona (Barcelona\u00a0&#8211;\u00a0ES).<\/li>\n<\/ul>\n<\/li>\n<li>2002\n<ul>\n<li><strong>&#8220;\u202fSiffacus&#8221;<\/strong> &#8211; Water use project in a square in Puigcerd\u00e0 with X. Cosp [architect] (Lleida\u00a0&#8211;\u00a0ES).<\/li>\n<\/ul>\n<\/li>\n<li>2003\n<ul>\n<li>Course <strong>&#8220;\u202fThe sculptor facing the work in public space&#8221;<\/strong> &#8211; Faculty of Fine Arts &#8211; Bilbao (Euskadi\u00a0&#8211;\u00a0ES).<\/li>\n<li><strong>Commemorative plaque<\/strong> at the birthplace of writer Jaume Fuster (Barcelona\u00a0&#8211;\u00a0ES).<\/li>\n<\/ul>\n<\/li>\n<li>2006\n<ul>\n<li>Conference <strong>&#8220;\u202fCreative work in Cerdanya&#8221;<\/strong> &#8211; III Pyrenean Cultural Meetings &#8211; Andorran Society of Sciences &#8211; Coll de Narg\u00f3 (Lleida\u00a0&#8211;\u00a0ES).<\/li>\n<\/ul>\n<\/li>\n<li>2009\n<ul>\n<li><strong>Scenography<\/strong> of the play <strong>&#8220;\u202fIphigenia&#8221;<\/strong> &#8211; directed by Jordi Coca &#8211; Grec 09 Festival (Barcelona\u00a0&#8211;\u00a0ES).<\/li>\n<\/ul>\n<\/li>\n<li>2010\n<ul>\n<li>Conference <strong>&#8220;\u202fTen public sculptures and one square in the Pyrenees&#8221;<\/strong> &#8211; V Pyrenean Cultural Meetings &#8211; Andorran Society of Sciences &#8211; Esterri d&#8217;\u00c0neu (Lleida\u00a0&#8211;\u00a0ES).<\/li>\n<li><strong>Commemorative plaque<\/strong> in memory of architect \u00c0ngel Juv\u00e9 &#8211; Pedra (Lleida\u00a0&#8211;\u00a0ES).<\/li>\n<\/ul>\n<\/li>\n<li>2012\n<ul>\n<li>Conference <strong>&#8220;\u202fI am a sculptor&#8221;<\/strong> &#8211; School of Arts and Crafts &#8211; Gironella (Barcelona\u00a0&#8211;\u00a0ES).<\/li>\n<\/ul>\n<\/li>\n<li>2016\n<ul>\n<li>Conference <strong>&#8220;\u202fArt: Value and Heritage&#8221;<\/strong> &#8211; Pyrenean Cultural Meetings &#8211; Andorran Society of Sciences &#8211; C\u00e9ret (FR).<\/li>\n<li><strong>Design and creation<\/strong> of the award of the Fundaci\u00f3 Congr\u00e9s de la Cultura Catalana.<\/li>\n<\/ul>\n<\/li>\n<li>2017\n<ul>\n<li><strong>Design and creation<\/strong> of the <strong>&#8220;\u202fPremi Egozcue&#8221;<\/strong> award &#8211; Cerdanya Research Group.<\/li>\n<\/ul>\n<\/li>\n<li>2019\n<ul>\n<li><strong>Scenography<\/strong> of the play <strong>&#8220;\u202fLa tente&#8221;<\/strong> &#8211; text C. Ponti, directed by Neus Vila &#8211; Avignon Festival and tour (FR).<\/li>\n<\/ul>\n<\/li>\n<li>2021\n<ul>\n<li><strong>Scenography<\/strong> of the play <strong>&#8220;\u202fPhaedra&#8221;<\/strong> &#8211; Companyia Mesemes &amp; Compagnie du Sarment.<\/li>\n<li><strong>International sculpture award Angel Orensanz<\/strong> (Sabi\u00f1\u00e1nigo\u00a0&#8211;\u00a0Osca\u00a0&#8211;\u00a0ES).<\/li>\n<\/ul>\n<\/li>\n<li>2022\n<ul>\n<li>Conference <strong>Contemporary creation &#8211; Pyrenees<\/strong> &#8211; Catalan Summer University &#8211; Prada de Conflent (Prades\u00a0&#8211;\u00a0FR).<\/li>\n<\/ul>\n<\/li>\n<li>2024\n<ul>\n<li><strong>Realization<\/strong> of the awards for the creators of the <strong>International Congress of Archaeology &#8211;<\/strong> Institut d&#8217;Estudis Ceretans (ES).<\/li>\n<li><strong>Realization of the &#8220;Writers of the region&#8221;<\/strong> award &#8211; Consell Comarcal del Maresme (ES).<\/li>\n<\/ul>\n<\/li>\n<li>2025\n<ul>\n<li><strong>Realization<\/strong> of the <strong>&#8220;Amunt&#8221;<\/strong> award &#8211; La Vall Fosca (Pallars &#8211; ES).<\/li>\n<li><strong>Collaboration<\/strong> in the <strong>scenography<\/strong> of the work <strong>&#8220;\u00c9s el meu arbre&#8221; <\/strong>d&#8217;O.Tallec &#8211; Compagnie du Sarment.<\/li>\n<li><strong>Conference &#8220;Iron in modern and contemporary art in the Pyrenees&#8221;<\/strong> &#8211; 22nd Pyrenean Cultural Meetings &#8211; Andorran Society of Sciences Gipuzcoa (Irun &#8211; ES).<\/li>\n<li><strong>&#8220;Art and humanities&#8221; &#8211; <\/strong>Within the International Congress Arts and Humanities for Well-being and Social Inclusion &#8211; UVIC\/UCC &#8211; University of Vic (ES).<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n\n\n\n","protected":false},"excerpt":{"rendered":"<p>VARIOUS Events 1984 Arco\u00a0&#8211; Gallery Joan de Serrallonga &#8211; Madrid (ES). 1987 Arco &#8211; Gallery Thomas Carstens &#8211; Madrid (ES). 1989 Art Jonction Internacional &#8211; Nice (FR). 1990 Art Jonction Internacional &#8211; Nice (FR). Lineart &#8211; Ghent (BE). Art Fair &#8211; Estocolm (CH). 1991 Lineart &#8211; Ghent (BE). D\u00e9couvertes &#8211; art actuel &#8211; Gallery Adriana [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":1847,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"no-sidebar","site-content-layout":"page-builder","ast-site-content-layout":"full-width-container","site-content-style":"unboxed","site-sidebar-style":"unboxed","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"default","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-1353","page","type-page","status-publish","hentry"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/ernest-altes.net\/en\/wp-json\/wp\/v2\/pages\/1353","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ernest-altes.net\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ernest-altes.net\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ernest-altes.net\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ernest-altes.net\/en\/wp-json\/wp\/v2\/comments?post=1353"}],"version-history":[{"count":3,"href":"https:\/\/ernest-altes.net\/en\/wp-json\/wp\/v2\/pages\/1353\/revisions"}],"predecessor-version":[{"id":3484,"href":"https:\/\/ernest-altes.net\/en\/wp-json\/wp\/v2\/pages\/1353\/revisions\/3484"}],"up":[{"embeddable":true,"href":"https:\/\/ernest-altes.net\/en\/wp-json\/wp\/v2\/pages\/1847"}],"wp:attachment":[{"href":"https:\/\/ernest-altes.net\/en\/wp-json\/wp\/v2\/media?parent=1353"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}