{"id":1335,"date":"2020-02-28T08:41:57","date_gmt":"2020-02-28T07:41:57","guid":{"rendered":"https:\/\/ernest-altes.net\/autobiographie\/"},"modified":"2025-11-05T08:40:47","modified_gmt":"2025-11-05T07:40:47","slug":"autobiography","status":"publish","type":"page","link":"https:\/\/ernest-altes.net\/en\/notes\/autobiography\/","title":{"rendered":"Autobiography"},"content":{"rendered":"\n\n\t<h1>\n\t\t\t\tAutobiography\n\t\t\t<\/h1>\n\tI was born at the end of autumn 1956 in Vic (Osona &#8211; Catalonia). Since I was a child, I had a relationship with nature in a quite global way : sea (Llan\u00e7\u00e0, Cap de Creus&#8230;), inland (Plana de Vic&#8230;) and mountains (Les Guilleries, el Cabrer\u00e8s, el Pirineu&#8230;) as well as with the forests and animals (Horta de la Serra de Sant Ferm&#8230;).<br \/>\n\u200b<br \/>\nI moved to to Barcelona for study at the Highschool.\n<ul>\n<li>1966-68 : Isabel de Villena School.<\/li>\n<li>1969-73 : Escola Garb\u00ed.<\/li>\n<\/ul>\n<p>Both of them with an advanced pedagogy and a deep catalan national feeling.<\/p>\nMusic, literature and plastic arts have a very important role in my education.<br \/>\n\u200b<br \/>\nMy relationship with the city is distant.<br \/>\n\u200b<br \/>\nI make the first sculptures with glass rounded by the sea and with trunks, feathers and leaves.<br \/>\n\u200b<br \/>\nI am facing the first important crossroad of my life : music (percussion) or plastic arts.\n\t\t\t\t<a href=\"https:\/\/ernest-altes.net\/wp-content\/uploads\/2020\/03\/EA-BIOGRAFIA.jpg\" target=\"_self\"  itemprop=\"url\">\n\t\t\t\t<img decoding=\"async\" src=\"https:\/\/ernest-altes.net\/wp-content\/uploads\/bb-plugin\/cache\/EA-BIOGRAFIA-square.jpg\" alt=\"AUTOBIOGRAPHIE\" title=\"Autogiographie\" itemprop=\"image\"  \/>\n\t\t\t\t\t\t<\/a>\n<!-- If both -->\n\t<ul>\n\t\t\t\t<li>\n\t\t\t\t\t\t<!--date-->\n\t\t\t\t<!--Timeline-customcontent-->\n\t\t\t\t\t<p>1970<\/p>\n\t\t\t\t<!--\/.Timeline-customcontent-->\n\t\t\t<!--\/.date-->\n\t\t\t<!--icon-->\n\t\t\t<!--\/.icon-->\n\t\t\t<!--Timline-Content-->\n\t\t\t\t\t<!--Timline-Title-->\n\t\t\t\t\t\n\t\t\t\t\t<!--\/.Timline-Title-->\n\t\t\t\t\t<!--Timline-description-->\n\t\t\t\t\t<p>Family trip to Italy : Milan, Florence, Pisa and Venice. I have direct knowledge of Italian Renaissance art (I still do not consider myself capable of capturing it in all its magnitude).<\/p>\n<p>I start my relationship with the horses by hand of my friend Pere Salgot.<\/p>\n\t\t\t\t\t<!--\/.Timline-description-->\n\t\t\t<!--\/.Timline-Content-->\n\t\t<\/li>\n\t\t\t\t<li>\n\t\t\t\t\t\t<!--date-->\n\t\t\t\t<!--Timeline-customcontent-->\n\t\t\t\t\t<p>1973<\/p>\n\t\t\t\t<!--\/.Timeline-customcontent-->\n\t\t\t<!--\/.date-->\n\t\t\t<!--icon-->\n\t\t\t<!--\/.icon-->\n\t\t\t<!--Timline-Content-->\n\t\t\t\t\t<!--Timline-Title-->\n\t\t\t\t\t\n\t\t\t\t\t<!--\/.Timline-Title-->\n\t\t\t\t\t<!--Timline-description-->\n\t\t\t\t\t<p>My parents give me full support to devote myself to the world of art.I visit the caves of Altamira with my friend Narc\u00eds Clavell.<\/p>\n\t\t\t\t\t<!--\/.Timline-description-->\n\t\t\t<!--\/.Timline-Content-->\n\t\t<\/li>\n\t\t\t\t<li>\n\t\t\t\t\t\t<!--date-->\n\t\t\t\t<!--Timeline-customcontent-->\n\t\t\t\t\t<p>1974<\/p>\n\t\t\t\t<!--\/.Timeline-customcontent-->\n\t\t\t<!--\/.date-->\n\t\t\t<!--icon-->\n\t\t\t<!--\/.icon-->\n\t\t\t<!--Timline-Content-->\n\t\t\t\t\t<!--Timline-Title-->\n\t\t\t\t\t\n\t\t\t\t\t<!--\/.Timline-Title-->\n\t\t\t\t\t<!--Timline-description-->\n\t\t\t\t\t<p>\u00a0I do the preparatory course at the Massana school where I take more advantage of the humanistic formation than the artistic one (teacher A. Rucabado).\u00a0learn the sculptural and literary work of the Basque-born artist Oteiza.<\/p>\n\t\t\t\t\t<!--\/.Timline-description-->\n\t\t\t<!--\/.Timline-Content-->\n\t\t<\/li>\n\t\t\t\t<li>\n\t\t\t\t\t\t<!--date-->\n\t\t\t\t<!--Timeline-customcontent-->\n\t\t\t\t\t<p>1975<\/p>\n\t\t\t\t<!--\/.Timeline-customcontent-->\n\t\t\t<!--\/.date-->\n\t\t\t<!--icon-->\n\t\t\t<!--\/.icon-->\n\t\t\t<!--Timline-Content-->\n\t\t\t\t\t<!--Timline-Title-->\n\t\t\t\t\t\n\t\t\t\t\t<!--\/.Timline-Title-->\n\t\t\t\t\t<!--Timline-description-->\n\t\t\t\t\t<p>I divide my time between Mas Freixenet (Muntanyola-Osona) where I will live until 1992 and Olot, where I study engraving at the school of Fine Arts with the master Vil\u00e0-Moncau.I study in depth the Taoist aesthetic and read the complete works of Herman Hesse. Sculpturally I investigate the combination of &#8220;objects trouv\u00e9s&#8221;.<\/p>\n\t\t\t\t\t<!--\/.Timline-description-->\n\t\t\t<!--\/.Timline-Content-->\n\t\t<\/li>\n\t\t\t\t<li>\n\t\t\t\t\t\t<!--date-->\n\t\t\t\t<!--Timeline-customcontent-->\n\t\t\t\t\t<p>1976<\/p>\n\t\t\t\t<!--\/.Timeline-customcontent-->\n\t\t\t<!--\/.date-->\n\t\t\t<!--icon-->\n\t\t\t<!--\/.icon-->\n\t\t\t<!--Timline-Content-->\n\t\t\t\t\t<!--Timline-Title-->\n\t\t\t\t\t\n\t\t\t\t\t<!--\/.Timline-Title-->\n\t\t\t\t\t<!--Timline-description-->\n\t\t\t\t\t<p>I study the technique of wood carving at the Llotja school in Barcelona.I travel to Egypt : Gizeh, Luxor, Assuan, Abu Simbel, Memnon&#8217;s giants&#8230;, where I experience for the first time the sensation of total space in a work made by humans and where I start my relationship with the Sahara.I visit the Acropolis in Athens.<\/p>\n\t\t\t\t\t<!--\/.Timline-description-->\n\t\t\t<!--\/.Timline-Content-->\n\t\t<\/li>\n\t\t\t\t<li>\n\t\t\t\t\t\t<!--date-->\n\t\t\t\t<!--Timeline-customcontent-->\n\t\t\t\t\t<p>1977<\/p>\n\t\t\t\t<!--\/.Timeline-customcontent-->\n\t\t\t<!--\/.date-->\n\t\t\t<!--icon-->\n\t\t\t<!--\/.icon-->\n\t\t\t<!--Timline-Content-->\n\t\t\t\t\t<!--Timline-Title-->\n\t\t\t\t\t\n\t\t\t\t\t<!--\/.Timline-Title-->\n\t\t\t\t\t<!--Timline-description-->\n\t\t\t\t\t<p>I make my first public exhibition to the gallery &#8220;La Tralla&#8221; (Vic) of drawings and sculptures.I start to work the forge with the blacksmith Ramon Serra from Santa Eul\u00e0lia de Riuprimer (Osona).<\/p>\n\t\t\t\t\t<!--\/.Timline-description-->\n\t\t\t<!--\/.Timline-Content-->\n\t\t<\/li>\n\t\t\t\t<li>\n\t\t\t\t\t\t<!--date-->\n\t\t\t\t<!--Timeline-customcontent-->\n\t\t\t\t\t<p>1978<\/p>\n\t\t\t\t<!--\/.Timeline-customcontent-->\n\t\t\t<!--\/.date-->\n\t\t\t<!--icon-->\n\t\t\t<!--\/.icon-->\n\t\t\t<!--Timline-Content-->\n\t\t\t\t\t<!--Timline-Title-->\n\t\t\t\t\t\n\t\t\t\t\t<!--\/.Timline-Title-->\n\t\t\t\t\t<!--Timline-description-->\n\t\t\t\t\t<p>Year lived in Menorca where I incorporate the stone to my work, that absolutely declines towards the sculpture.<\/p>\n\t\t\t\t\t<!--\/.Timline-description-->\n\t\t\t<!--\/.Timline-Content-->\n\t\t<\/li>\n\t\t\t\t<li>\n\t\t\t\t\t\t<!--date-->\n\t\t\t\t<!--Timeline-customcontent-->\n\t\t\t\t\t<p>1979<\/p>\n\t\t\t\t<!--\/.Timeline-customcontent-->\n\t\t\t<!--\/.date-->\n\t\t\t<!--icon-->\n\t\t\t<!--\/.icon-->\n\t\t\t<!--Timline-Content-->\n\t\t\t\t\t<!--Timline-Title-->\n\t\t\t\t\t\n\t\t\t\t\t<!--\/.Timline-Title-->\n\t\t\t\t\t<!--Timline-description-->\n\t\t\t\t\t<p>Stay in Mexico to prepare the exhibition at Galeria Pecanins. I travel to Guatemala, Oaxaca, Yucatan, Copper Canyon, Chihuahua, Sonoran Desert, Baja California&#8230; I know the work of the peoples, maia, asteca and olmeca.I live and work in the workshop of sculptor Eduardo Olbes in Tepotzlan (Morelos).I start a series of conversations about ethics and aesthetics with the designer Jordi Casablancas.<\/p>\n\t\t\t\t\t<!--\/.Timline-description-->\n\t\t\t<!--\/.Timline-Content-->\n\t\t<\/li>\n\t\t\t\t<li>\n\t\t\t\t\t\t<!--date-->\n\t\t\t\t<!--Timeline-customcontent-->\n\t\t\t\t\t<p>1980<\/p>\n\t\t\t\t<!--\/.Timeline-customcontent-->\n\t\t\t<!--\/.date-->\n\t\t\t<!--icon-->\n\t\t\t<!--\/.icon-->\n\t\t\t<!--Timline-Content-->\n\t\t\t\t\t<!--Timline-Title-->\n\t\t\t\t\t\n\t\t\t\t\t<!--\/.Timline-Title-->\n\t\t\t\t\t<!--Timline-description-->\n\t\t\t\t\t<p>I go to the Sahara with a team from the Mexican television to film the documentaries :Tassili N&#8217;ajjer (centre of cave paintings and engravings) and Polisario (the resistance of the Saharawi nation). I know the Tuareg people.In my work I start changing the number 3 for the number 4, that is, the triangle for the square.<\/p>\n\t\t\t\t\t<!--\/.Timline-description-->\n\t\t\t<!--\/.Timline-Content-->\n\t\t<\/li>\n\t\t\t\t<li>\n\t\t\t\t\t\t<!--date-->\n\t\t\t\t<!--Timeline-customcontent-->\n\t\t\t\t\t<p>1981<\/p>\n\t\t\t\t<!--\/.Timeline-customcontent-->\n\t\t\t<!--\/.date-->\n\t\t\t<!--icon-->\n\t\t\t<!--\/.icon-->\n\t\t\t<!--Timline-Content-->\n\t\t\t\t\t<!--Timline-Title-->\n\t\t\t\t\t\n\t\t\t\t\t<!--\/.Timline-Title-->\n\t\t\t\t\t<!--Timline-description-->\n\t\t\t\t\t<p>I return to Menorca to study its megalithic culture in depth.I go to the Picos de Europa (Asturias).First exhibition in Barcelona: Tom Maddock Gallery.<\/p>\n\t\t\t\t\t<!--\/.Timline-description-->\n\t\t\t<!--\/.Timline-Content-->\n\t\t<\/li>\n\t\t\t\t<li>\n\t\t\t\t\t\t<!--date-->\n\t\t\t\t<!--Timeline-customcontent-->\n\t\t\t\t\t<p>1983<\/p>\n\t\t\t\t<!--\/.Timeline-customcontent-->\n\t\t\t<!--\/.date-->\n\t\t\t<!--icon-->\n\t\t\t<!--\/.icon-->\n\t\t\t<!--Timline-Content-->\n\t\t\t\t\t<!--Timline-Title-->\n\t\t\t\t\t\n\t\t\t\t\t<!--\/.Timline-Title-->\n\t\t\t\t\t<!--Timline-description-->\n\t\t\t\t\t<p>I visit the basaltic formations of the Hoggar (Sahara).<\/p>\n\t\t\t\t\t<!--\/.Timline-description-->\n\t\t\t<!--\/.Timline-Content-->\n\t\t<\/li>\n\t\t\t\t<li>\n\t\t\t\t\t\t<!--date-->\n\t\t\t\t<!--Timeline-customcontent-->\n\t\t\t\t\t<p>1986<\/p>\n\t\t\t\t<!--\/.Timeline-customcontent-->\n\t\t\t<!--\/.date-->\n\t\t\t<!--icon-->\n\t\t\t<!--\/.icon-->\n\t\t\t<!--Timline-Content-->\n\t\t\t\t\t<!--Timline-Title-->\n\t\t\t\t\t\n\t\t\t\t\t<!--\/.Timline-Title-->\n\t\t\t\t\t<!--Timline-description-->\n\t\t\t\t\t<p>I return to the Sahara in the summer, where I discover the true dimension of the desert.I participate in the second &#8220;Fira de l&#8217;escultura al carrer de T\u00e0rrega&#8221; where I make my first large scale sculpture.<\/p>\n\t\t\t\t\t<!--\/.Timline-description-->\n\t\t\t<!--\/.Timline-Content-->\n\t\t<\/li>\n\t\t\t\t<li>\n\t\t\t\t\t\t<!--date-->\n\t\t\t\t<!--Timeline-customcontent-->\n\t\t\t\t\t<p>1987<\/p>\n\t\t\t\t<!--\/.Timeline-customcontent-->\n\t\t\t<!--\/.date-->\n\t\t\t<!--icon-->\n\t\t\t<!--\/.icon-->\n\t\t\t<!--Timline-Content-->\n\t\t\t\t\t<!--Timline-Title-->\n\t\t\t\t\t\n\t\t\t\t\t<!--\/.Timline-Title-->\n\t\t\t\t\t<!--Timline-description-->\n\t\t\t\t\t<p>I work on engraving again (in Barbar\u00e0 TALLER 46 with the collaboration of Virgili Barbar\u00e0) and drawing.<\/p>\n\t\t\t\t\t<!--\/.Timline-description-->\n\t\t\t<!--\/.Timline-Content-->\n\t\t<\/li>\n\t\t\t\t<li>\n\t\t\t\t\t\t<!--date-->\n\t\t\t\t<!--Timeline-customcontent-->\n\t\t\t\t\t<p>1988<\/p>\n\t\t\t\t<!--\/.Timeline-customcontent-->\n\t\t\t<!--\/.date-->\n\t\t\t<!--icon-->\n\t\t\t<!--\/.icon-->\n\t\t\t<!--Timline-Content-->\n\t\t\t\t\t<!--Timline-Title-->\n\t\t\t\t\t\n\t\t\t\t\t<!--\/.Timline-Title-->\n\t\t\t\t\t<!--Timline-description-->\n\t\t\t\t\t<p>Trip to the Atlas (Morocco).<\/p>\n\t\t\t\t\t<!--\/.Timline-description-->\n\t\t\t<!--\/.Timline-Content-->\n\t\t<\/li>\n\t\t\t\t<li>\n\t\t\t\t\t\t<!--date-->\n\t\t\t\t<!--Timeline-customcontent-->\n\t\t\t\t\t<p>1989<\/p>\n\t\t\t\t<!--\/.Timeline-customcontent-->\n\t\t\t<!--\/.date-->\n\t\t\t<!--icon-->\n\t\t\t<!--\/.icon-->\n\t\t\t<!--Timline-Content-->\n\t\t\t\t\t<!--Timline-Title-->\n\t\t\t\t\t\n\t\t\t\t\t<!--\/.Timline-Title-->\n\t\t\t\t\t<!--Timline-description-->\n\t\t\t\t\t<p>I get married with Marina.\u00a0Intense learning in the work of mud and fire with the ceramist K. Dan\u00e9s and sculptor A. Garraza.<\/p>\n\t\t\t\t\t<!--\/.Timline-description-->\n\t\t\t<!--\/.Timline-Content-->\n\t\t<\/li>\n\t\t\t\t<li>\n\t\t\t\t\t\t<!--date-->\n\t\t\t\t<!--Timeline-customcontent-->\n\t\t\t\t\t<p>1990<\/p>\n\t\t\t\t<!--\/.Timeline-customcontent-->\n\t\t\t<!--\/.date-->\n\t\t\t<!--icon-->\n\t\t\t<!--\/.icon-->\n\t\t\t<!--Timline-Content-->\n\t\t\t\t\t<!--Timline-Title-->\n\t\t\t\t\t\n\t\t\t\t\t<!--\/.Timline-Title-->\n\t\t\t\t\t<!--Timline-description-->\n\t\t\t\t\t<p>I was invited to participate in the Symposium at L\u00fctzowplatz (Berlin) where I lived for two months.I start working with the Scheffel Gallery (Bad Homburg).<\/p>\n\t\t\t\t\t<!--\/.Timline-description-->\n\t\t\t<!--\/.Timline-Content-->\n\t\t<\/li>\n\t\t\t\t<li>\n\t\t\t\t\t\t<!--date-->\n\t\t\t\t<!--Timeline-customcontent-->\n\t\t\t\t\t<p>1991<\/p>\n\t\t\t\t<!--\/.Timeline-customcontent-->\n\t\t\t<!--\/.date-->\n\t\t\t<!--icon-->\n\t\t\t<!--\/.icon-->\n\t\t\t<!--Timline-Content-->\n\t\t\t\t\t<!--Timline-Title-->\n\t\t\t\t\t\n\t\t\t\t\t<!--\/.Timline-Title-->\n\t\t\t\t\t<!--Timline-description-->\n\t\t\t\t\t<p>I went to the granite center of Sidobre, (France).<\/p>\n\t\t\t\t\t<!--\/.Timline-description-->\n\t\t\t<!--\/.Timline-Content-->\n\t\t<\/li>\n\t\t\t\t<li>\n\t\t\t\t\t\t<!--date-->\n\t\t\t\t<!--Timeline-customcontent-->\n\t\t\t\t\t<p>1992<\/p>\n\t\t\t\t<!--\/.Timeline-customcontent-->\n\t\t\t<!--\/.date-->\n\t\t\t<!--icon-->\n\t\t\t<!--\/.icon-->\n\t\t\t<!--Timline-Content-->\n\t\t\t\t\t<!--Timline-Title-->\n\t\t\t\t\t\n\t\t\t\t\t<!--\/.Timline-Title-->\n\t\t\t\t\t<!--Timline-description-->\n\t\t\t\t\t<p>Nina is born.We move to All (La Cerdanya).Edited with the poet M. Mart\u00ed i Pol, the book &#8220;El silenci&#8221; (poems and engravings). Editorial Mai\u00e0, (Andorra).<\/p>\n\t\t\t\t\t<!--\/.Timline-description-->\n\t\t\t<!--\/.Timline-Content-->\n\t\t<\/li>\n\t\t\t\t<li>\n\t\t\t\t\t\t<!--date-->\n\t\t\t\t<!--Timeline-customcontent-->\n\t\t\t\t\t<p>1993<\/p>\n\t\t\t\t<!--\/.Timeline-customcontent-->\n\t\t\t<!--\/.date-->\n\t\t\t<!--icon-->\n\t\t\t<!--\/.icon-->\n\t\t\t<!--Timline-Content-->\n\t\t\t\t\t<!--Timline-Title-->\n\t\t\t\t\t\n\t\t\t\t\t<!--\/.Timline-Title-->\n\t\t\t\t\t<!--Timline-description-->\n\t\t\t\t\t<p>&#8220;The presence is usually given by the shadow.&#8221;I make a forge at home (the blacksmith&#8217;s altar).I attend the congress &#8220;La Farga catalana&#8221;, (Ripoll).<\/p>\n\t\t\t\t\t<!--\/.Timline-description-->\n\t\t\t<!--\/.Timline-Content-->\n\t\t<\/li>\n\t\t\t\t<li>\n\t\t\t\t\t\t<!--date-->\n\t\t\t\t<!--Timeline-customcontent-->\n\t\t\t\t\t<p>1994<\/p>\n\t\t\t\t<!--\/.Timeline-customcontent-->\n\t\t\t<!--\/.date-->\n\t\t\t<!--icon-->\n\t\t\t<!--\/.icon-->\n\t\t\t<!--Timline-Content-->\n\t\t\t\t\t<!--Timline-Title-->\n\t\t\t\t\t\n\t\t\t\t\t<!--\/.Timline-Title-->\n\t\t\t\t\t<!--Timline-description-->\n\t\t\t\t\t<p>I know the engineer Tom\u00e0s L\u00f3pez who introduced me to the technique of cold metal stamping.&#8221;I lose intensity because I gain logic.&#8221;<\/p>\n\t\t\t\t\t<!--\/.Timline-description-->\n\t\t\t<!--\/.Timline-Content-->\n\t\t<\/li>\n\t\t\t\t<li>\n\t\t\t\t\t\t<!--date-->\n\t\t\t\t<!--Timeline-customcontent-->\n\t\t\t\t\t<p>1995<\/p>\n\t\t\t\t<!--\/.Timeline-customcontent-->\n\t\t\t<!--\/.date-->\n\t\t\t<!--icon-->\n\t\t\t<!--\/.icon-->\n\t\t\t<!--Timline-Content-->\n\t\t\t\t\t<!--Timline-Title-->\n\t\t\t\t\t\n\t\t\t\t\t<!--\/.Timline-Title-->\n\t\t\t\t\t<!--Timline-description-->\n\t\t\t\t\t<p>&#8220;I&#8217;m starting to see the other side.&#8221;Basque Country: visit to Arretxinaga (consecration of the stone) and combs of the wind &#8211; Chillida &#8211; (consecration of the iron).<\/p>\n\t\t\t\t\t<!--\/.Timline-description-->\n\t\t\t<!--\/.Timline-Content-->\n\t\t<\/li>\n\t\t\t\t<li>\n\t\t\t\t\t\t<!--date-->\n\t\t\t\t<!--Timeline-customcontent-->\n\t\t\t\t\t<p>1996<\/p>\n\t\t\t\t<!--\/.Timeline-customcontent-->\n\t\t\t<!--\/.date-->\n\t\t\t<!--icon-->\n\t\t\t<!--\/.icon-->\n\t\t\t<!--Timline-Content-->\n\t\t\t\t\t<!--Timline-Title-->\n\t\t\t\t\t\n\t\t\t\t\t<!--\/.Timline-Title-->\n\t\t\t\t\t<!--Timline-description-->\n\t\t\t\t\t<p>&#8220;There are two kinds of artists: those who think the world should be grateful that they exist and those who are grateful that the world can exist.&#8221;<\/p>\n\t\t\t\t\t<!--\/.Timline-description-->\n\t\t\t<!--\/.Timline-Content-->\n\t\t<\/li>\n\t\t\t\t<li>\n\t\t\t\t\t\t<!--date-->\n\t\t\t\t<!--Timeline-customcontent-->\n\t\t\t\t\t<p>1997<\/p>\n\t\t\t\t<!--\/.Timeline-customcontent-->\n\t\t\t<!--\/.date-->\n\t\t\t<!--icon-->\n\t\t\t<!--\/.icon-->\n\t\t\t<!--Timline-Content-->\n\t\t\t\t\t<!--Timline-Title-->\n\t\t\t\t\t\n\t\t\t\t\t<!--\/.Timline-Title-->\n\t\t\t\t\t<!--Timline-description-->\n\t\t\t\t\t<p>Marc is born.We make, with Jordi Coca &#8220;El llibre de l&#8217;aigua&#8221; based on some haikus of Matsuo Bash\u00f2, (Boza editor).<\/p>\n\t\t\t\t\t<!--\/.Timline-description-->\n\t\t\t<!--\/.Timline-Content-->\n\t\t<\/li>\n\t\t\t\t<li>\n\t\t\t\t\t\t<!--date-->\n\t\t\t\t<!--Timeline-customcontent-->\n\t\t\t\t\t<p>1998<\/p>\n\t\t\t\t<!--\/.Timeline-customcontent-->\n\t\t\t<!--\/.date-->\n\t\t\t<!--icon-->\n\t\t\t<!--\/.icon-->\n\t\t\t<!--Timline-Content-->\n\t\t\t\t\t<!--Timline-Title-->\n\t\t\t\t\t\n\t\t\t\t\t<!--\/.Timline-Title-->\n\t\t\t\t\t<!--Timline-description-->\n\t\t\t\t\t<p>&#8220;I participate in concrete and corporeal art, the ephemeral and intangible I see it constantly in nature and I don&#8217;t dare with it&#8221;.<\/p>\n\t\t\t\t\t<!--\/.Timline-description-->\n\t\t\t<!--\/.Timline-Content-->\n\t\t<\/li>\n\t\t\t\t<li>\n\t\t\t\t\t\t<!--date-->\n\t\t\t\t<!--Timeline-customcontent-->\n\t\t\t\t\t<p>1999<\/p>\n\t\t\t\t<!--\/.Timeline-customcontent-->\n\t\t\t<!--\/.date-->\n\t\t\t<!--icon-->\n\t\t\t<!--\/.icon-->\n\t\t\t<!--Timline-Content-->\n\t\t\t\t\t<!--Timline-Title-->\n\t\t\t\t\t\n\t\t\t\t\t<!--\/.Timline-Title-->\n\t\t\t\t\t<!--Timline-description-->\n\t\t\t\t\t<p>I make the sculpture &#8220;Porta (de la Seu)&#8221;.<\/p>\n\t\t\t\t\t<!--\/.Timline-description-->\n\t\t\t<!--\/.Timline-Content-->\n\t\t<\/li>\n\t\t\t\t<li>\n\t\t\t\t\t\t<!--date-->\n\t\t\t\t<!--Timeline-customcontent-->\n\t\t\t\t\t<p>2001<\/p>\n\t\t\t\t<!--\/.Timeline-customcontent-->\n\t\t\t<!--\/.date-->\n\t\t\t<!--icon-->\n\t\t\t<!--\/.icon-->\n\t\t\t<!--Timline-Content-->\n\t\t\t\t\t<!--Timline-Title-->\n\t\t\t\t\t\n\t\t\t\t\t<!--\/.Timline-Title-->\n\t\t\t\t\t<!--Timline-description-->\n\t\t\t\t\t<p>&#8220;Normally, in my work, iron makes a great show of energy, but stone, still, knows that it has all the secrets.&#8221;Stay in the French Brittany. Intense land. Sea.<\/p>\n\t\t\t\t\t<!--\/.Timline-description-->\n\t\t\t<!--\/.Timline-Content-->\n\t\t<\/li>\n\t\t\t\t<li>\n\t\t\t\t\t\t<!--date-->\n\t\t\t\t<!--Timeline-customcontent-->\n\t\t\t\t\t<p>2002<\/p>\n\t\t\t\t<!--\/.Timeline-customcontent-->\n\t\t\t<!--\/.date-->\n\t\t\t<!--icon-->\n\t\t\t<!--\/.icon-->\n\t\t\t<!--Timline-Content-->\n\t\t\t\t\t<!--Timline-Title-->\n\t\t\t\t\t\n\t\t\t\t\t<!--\/.Timline-Title-->\n\t\t\t\t\t<!--Timline-description-->\n\t\t\t\t\t<p>&#8220;The artistic works that operate in virtual space do not interest me much because, for me, virtual space is for ideas, not of artworks&#8221;.<\/p>\n\t\t\t\t\t<!--\/.Timline-description-->\n\t\t\t<!--\/.Timline-Content-->\n\t\t<\/li>\n\t\t\t\t<li>\n\t\t\t\t\t\t<!--date-->\n\t\t\t\t<!--Timeline-customcontent-->\n\t\t\t\t\t<p>2003<\/p>\n\t\t\t\t<!--\/.Timeline-customcontent-->\n\t\t\t<!--\/.date-->\n\t\t\t<!--icon-->\n\t\t\t<!--\/.icon-->\n\t\t\t<!--Timline-Content-->\n\t\t\t\t\t<!--Timline-Title-->\n\t\t\t\t\t\n\t\t\t\t\t<!--\/.Timline-Title-->\n\t\t\t\t\t<!--Timline-description-->\n\t\t\t\t\t<p>&#8220;In my work, I recognize more of Nina Simone&#8217;s influence than Picasso&#8217;s&#8221;.<\/p>\n\t\t\t\t\t<!--\/.Timline-description-->\n\t\t\t<!--\/.Timline-Content-->\n\t\t<\/li>\n\t\t\t\t<li>\n\t\t\t\t\t\t<!--date-->\n\t\t\t\t<!--Timeline-customcontent-->\n\t\t\t\t\t<p>2004<\/p>\n\t\t\t\t<!--\/.Timeline-customcontent-->\n\t\t\t<!--\/.date-->\n\t\t\t<!--icon-->\n\t\t\t<!--\/.icon-->\n\t\t\t<!--Timline-Content-->\n\t\t\t\t\t<!--Timline-Title-->\n\t\t\t\t\t\n\t\t\t\t\t<!--\/.Timline-Title-->\n\t\t\t\t\t<!--Timline-description-->\n\t\t\t\t\t<p>I make the sculpture &#8220;Di\u00e0spora&#8221; in which I begin to work the industrial forge in the Basque Country.<\/p>\n\t\t\t\t\t<!--\/.Timline-description-->\n\t\t\t<!--\/.Timline-Content-->\n\t\t<\/li>\n\t\t\t\t<li>\n\t\t\t\t\t\t<!--date-->\n\t\t\t\t<!--Timeline-customcontent-->\n\t\t\t\t\t<p>2005<\/p>\n\t\t\t\t<!--\/.Timeline-customcontent-->\n\t\t\t<!--\/.date-->\n\t\t\t<!--icon-->\n\t\t\t<!--\/.icon-->\n\t\t\t<!--Timline-Content-->\n\t\t\t\t\t<!--Timline-Title-->\n\t\t\t\t\t\n\t\t\t\t\t<!--\/.Timline-Title-->\n\t\t\t\t\t<!--Timline-description-->\n\t\t\t\t\t<p>With the architect Xavi Cosp, we make the Mirador de Llevant (Puigcerd\u00e0).<\/p>\n\t\t\t\t\t<!--\/.Timline-description-->\n\t\t\t<!--\/.Timline-Content-->\n\t\t<\/li>\n\t\t\t\t<li>\n\t\t\t\t\t\t<!--date-->\n\t\t\t\t<!--Timeline-customcontent-->\n\t\t\t\t\t<p>2006<\/p>\n\t\t\t\t<!--\/.Timeline-customcontent-->\n\t\t\t<!--\/.date-->\n\t\t\t<!--icon-->\n\t\t\t<!--\/.icon-->\n\t\t\t<!--Timline-Content-->\n\t\t\t\t\t<!--Timline-Title-->\n\t\t\t\t\t\n\t\t\t\t\t<!--\/.Timline-Title-->\n\t\t\t\t\t<!--Timline-description-->\n\t\t\t\t\t<p>&#8220;I&#8217;m interested in nature, not in landscape, with which I relate in a more than a cultured, in a instinctive way.&#8221;I made &#8220;Claustre concret&#8221; in the Cathedral of Vic, my first temporary public work.<\/p>\n\t\t\t\t\t<!--\/.Timline-description-->\n\t\t\t<!--\/.Timline-Content-->\n\t\t<\/li>\n\t\t\t\t<li>\n\t\t\t\t\t\t<!--date-->\n\t\t\t\t<!--Timeline-customcontent-->\n\t\t\t\t\t<p>2007<\/p>\n\t\t\t\t<!--\/.Timeline-customcontent-->\n\t\t\t<!--\/.date-->\n\t\t\t<!--icon-->\n\t\t\t<!--\/.icon-->\n\t\t\t<!--Timline-Content-->\n\t\t\t\t\t<!--Timline-Title-->\n\t\t\t\t\t\n\t\t\t\t\t<!--\/.Timline-Title-->\n\t\t\t\t\t<!--Timline-description-->\n\t\t\t\t\t<p>&#8220;I&#8217;m starting to have trouble letting go of time&#8221;&#8221;While there are artists who read and digest the words of others, I prefer to walk and watch the trees up and the water down.<\/p>\n\t\t\t\t\t<!--\/.Timline-description-->\n\t\t\t<!--\/.Timline-Content-->\n\t\t<\/li>\n\t\t\t\t<li>\n\t\t\t\t\t\t<!--date-->\n\t\t\t\t<!--Timeline-customcontent-->\n\t\t\t\t\t<p>2008<\/p>\n\t\t\t\t<!--\/.Timeline-customcontent-->\n\t\t\t<!--\/.date-->\n\t\t\t<!--icon-->\n\t\t\t<!--\/.icon-->\n\t\t\t<!--Timline-Content-->\n\t\t\t\t\t<!--Timline-Title-->\n\t\t\t\t\t\n\t\t\t\t\t<!--\/.Timline-Title-->\n\t\t\t\t\t<!--Timline-description-->\n\t\t\t\t\t<p>Travel to Greece : the origin of our culture and our values. I visit the theatres of Epicurus and Dionysius, the Acropolis, the temple of Zeus and Delphi as Jordi Coca says: &#8220;if Gods exist, they are there&#8221;. I also know Meteora &#8211; how could it be that I lived without knowing of its existence? &#8211; and the art of the Cyclades Islands that 3,000 years ago had already reached the end.<\/p>\n\t\t\t\t\t<!--\/.Timline-description-->\n\t\t\t<!--\/.Timline-Content-->\n\t\t<\/li>\n\t\t\t\t<li>\n\t\t\t\t\t\t<!--date-->\n\t\t\t\t<!--Timeline-customcontent-->\n\t\t\t\t\t<p>2009<\/p>\n\t\t\t\t<!--\/.Timeline-customcontent-->\n\t\t\t<!--\/.date-->\n\t\t\t<!--icon-->\n\t\t\t<!--\/.icon-->\n\t\t\t<!--Timline-Content-->\n\t\t\t\t\t<!--Timline-Title-->\n\t\t\t\t\t\n\t\t\t\t\t<!--\/.Timline-Title-->\n\t\t\t\t\t<!--Timline-description-->\n\t\t\t\t\t<p>&#8220;It&#8217;s been a while since I&#8217;ve had some distance, so I don&#8217;t see much.&#8221;<\/p>\n\t\t\t\t\t<!--\/.Timline-description-->\n\t\t\t<!--\/.Timline-Content-->\n\t\t<\/li>\n\t\t\t\t<li>\n\t\t\t\t\t\t<!--date-->\n\t\t\t\t<!--Timeline-customcontent-->\n\t\t\t\t\t<p>2010<\/p>\n\t\t\t\t<!--\/.Timeline-customcontent-->\n\t\t\t<!--\/.date-->\n\t\t\t<!--icon-->\n\t\t\t<!--\/.icon-->\n\t\t\t<!--Timline-Content-->\n\t\t\t\t\t<!--Timline-Title-->\n\t\t\t\t\t\n\t\t\t\t\t<!--\/.Timline-Title-->\n\t\t\t\t\t<!--Timline-description-->\n\t\t\t\t\t<p>&#8220;To grow old is to see beyond appearances, to be young is to see beyond reality. Adults see neither here nor there&#8221;.<\/p>\n\t\t\t\t\t<!--\/.Timline-description-->\n\t\t\t<!--\/.Timline-Content-->\n\t\t<\/li>\n\t\t\t\t<li>\n\t\t\t\t\t\t<!--date-->\n\t\t\t\t<!--Timeline-customcontent-->\n\t\t\t\t\t<p>2011<\/p>\n\t\t\t\t<!--\/.Timeline-customcontent-->\n\t\t\t<!--\/.date-->\n\t\t\t<!--icon-->\n\t\t\t<!--\/.icon-->\n\t\t\t<!--Timline-Content-->\n\t\t\t\t\t<!--Timline-Title-->\n\t\t\t\t\t\n\t\t\t\t\t<!--\/.Timline-Title-->\n\t\t\t\t\t<!--Timline-description-->\n\t\t\t\t\t<p>Concert by Llu\u00eds Claret &#8211; violoncell &#8211; at the church of Pedra (Cerda\u00f1a). Suites by J.S.Bach. Sublime.<\/p>\n\t\t\t\t\t<!--\/.Timline-description-->\n\t\t\t<!--\/.Timline-Content-->\n\t\t<\/li>\n\t\t\t\t<li>\n\t\t\t\t\t\t<!--date-->\n\t\t\t\t<!--Timeline-customcontent-->\n\t\t\t\t\t<p>2012<\/p>\n\t\t\t\t<!--\/.Timeline-customcontent-->\n\t\t\t<!--\/.date-->\n\t\t\t<!--icon-->\n\t\t\t<!--\/.icon-->\n\t\t\t<!--Timline-Content-->\n\t\t\t\t\t<!--Timline-Title-->\n\t\t\t\t\t\n\t\t\t\t\t<!--\/.Timline-Title-->\n\t\t\t\t\t<!--Timline-description-->\n\t\t\t\t\t<p>We do, with Marc, the Camino de Santiago, by bicycle. An experience close to my great journeys of yesteryear.<\/p>\n\t\t\t\t\t<!--\/.Timline-description-->\n\t\t\t<!--\/.Timline-Content-->\n\t\t<\/li>\n\t\t\t\t<li>\n\t\t\t\t\t\t<!--date-->\n\t\t\t\t<!--Timeline-customcontent-->\n\t\t\t\t\t<p>2013<\/p>\n\t\t\t\t<!--\/.Timeline-customcontent-->\n\t\t\t<!--\/.date-->\n\t\t\t<!--icon-->\n\t\t\t<!--\/.icon-->\n\t\t\t<!--Timline-Content-->\n\t\t\t\t\t<!--Timline-Title-->\n\t\t\t\t\t\n\t\t\t\t\t<!--\/.Timline-Title-->\n\t\t\t\t\t<!--Timline-description-->\n\t\t\t\t\t<p>&#8220;I work with instinct, I smell the landscape, I drink water, I touch the distance, I feel the energy, I look at the air&#8230; but between one hand and the other:I concrete&#8221;<\/p>\n\t\t\t\t\t<!--\/.Timline-description-->\n\t\t\t<!--\/.Timline-Content-->\n\t\t<\/li>\n\t\t\t\t<li>\n\t\t\t\t\t\t<!--date-->\n\t\t\t\t<!--Timeline-customcontent-->\n\t\t\t\t\t<p>2014<\/p>\n\t\t\t\t<!--\/.Timeline-customcontent-->\n\t\t\t<!--\/.date-->\n\t\t\t<!--icon-->\n\t\t\t<!--\/.icon-->\n\t\t\t<!--Timline-Content-->\n\t\t\t\t\t<!--Timline-Title-->\n\t\t\t\t\t\n\t\t\t\t\t<!--\/.Timline-Title-->\n\t\t\t\t\t<!--Timline-description-->\n\t\t\t\t\t<p>I attend live the reflections of the sculptor D. Karavan regarding his work &#8220;Passatges&#8221; memorial of W. Benjamin. Portbou (Girona).&#8221;I don&#8217;t read&#8230; but I walk&#8221;.<\/p>\n\t\t\t\t\t<!--\/.Timline-description-->\n\t\t\t<!--\/.Timline-Content-->\n\t\t<\/li>\n\t\t\t\t<li>\n\t\t\t\t\t\t<!--date-->\n\t\t\t\t<!--Timeline-customcontent-->\n\t\t\t\t\t<p>2015<\/p>\n\t\t\t\t<!--\/.Timeline-customcontent-->\n\t\t\t<!--\/.date-->\n\t\t\t<!--icon-->\n\t\t\t<!--\/.icon-->\n\t\t\t<!--Timline-Content-->\n\t\t\t\t\t<!--Timline-Title-->\n\t\t\t\t\t\n\t\t\t\t\t<!--\/.Timline-Title-->\n\t\t\t\t\t<!--Timline-description-->\n\t\t\t\t\t<p>&#8220;Nature is dedicated to be, humans to do.&#8221;I read &#8220;Sapiens&#8221; by Y.Noah Arari. A revelation to understand the contradictions of our animal species.<\/p>\n\t\t\t\t\t<!--\/.Timline-description-->\n\t\t\t<!--\/.Timline-Content-->\n\t\t<\/li>\n\t\t\t\t<li>\n\t\t\t\t\t\t<!--date-->\n\t\t\t\t<!--Timeline-customcontent-->\n\t\t\t\t\t<p>2016<\/p>\n\t\t\t\t<!--\/.Timeline-customcontent-->\n\t\t\t<!--\/.date-->\n\t\t\t<!--icon-->\n\t\t\t<!--\/.icon-->\n\t\t\t<!--Timline-Content-->\n\t\t\t\t\t<!--Timline-Title-->\n\t\t\t\t\t\n\t\t\t\t\t<!--\/.Timline-Title-->\n\t\t\t\t\t<!--Timline-description-->\n\t\t\t\t\t<p>&#8220;The obsession of wanting to enjoy the moment is partly responsible for the precariousness of everything.&#8221;<\/p>\n\t\t\t\t\t<!--\/.Timline-description-->\n\t\t\t<!--\/.Timline-Content-->\n\t\t<\/li>\n\t\t\t\t<li>\n\t\t\t\t\t\t<!--date-->\n\t\t\t\t<!--Timeline-customcontent-->\n\t\t\t\t\t<p>2017<\/p>\n\t\t\t\t<!--\/.Timeline-customcontent-->\n\t\t\t<!--\/.date-->\n\t\t\t<!--icon-->\n\t\t\t<!--\/.icon-->\n\t\t\t<!--Timline-Content-->\n\t\t\t\t\t<!--Timline-Title-->\n\t\t\t\t\t\n\t\t\t\t\t<!--\/.Timline-Title-->\n\t\t\t\t\t<!--Timline-description-->\n\t\t\t\t\t<p>&#8220;There are situations in life, which are like when you have to unhorn your horse: maybe it&#8217;s to set it free&#8230; or to sacrifice it.&#8221;<\/p>\n\t\t\t\t\t<!--\/.Timline-description-->\n\t\t\t<!--\/.Timline-Content-->\n\t\t<\/li>\n\t\t\t\t<li>\n\t\t\t\t\t\t<!--date-->\n\t\t\t\t<!--Timeline-customcontent-->\n\t\t\t\t\t<p>2018<\/p>\n\t\t\t\t<!--\/.Timeline-customcontent-->\n\t\t\t<!--\/.date-->\n\t\t\t<!--icon-->\n\t\t\t<!--\/.icon-->\n\t\t\t<!--Timline-Content-->\n\t\t\t\t\t<!--Timline-Title-->\n\t\t\t\t\t\n\t\t\t\t\t<!--\/.Timline-Title-->\n\t\t\t\t\t<!--Timline-description-->\n\t\t\t\t\t<p>I incorporate glass into my work (I tried it 40 years ago).Stay in Valle d&#8217;Aosta.<\/p>\n\t\t\t\t\t<!--\/.Timline-description-->\n\t\t\t<!--\/.Timline-Content-->\n\t\t<\/li>\n\t\t\t\t<li>\n\t\t\t\t\t\t<!--date-->\n\t\t\t\t<!--Timeline-customcontent-->\n\t\t\t\t\t<p>2019<\/p>\n\t\t\t\t<!--\/.Timeline-customcontent-->\n\t\t\t<!--\/.date-->\n\t\t\t<!--icon-->\n\t\t\t<!--\/.icon-->\n\t\t\t<!--Timline-Content-->\n\t\t\t\t\t<!--Timline-Title-->\n\t\t\t\t\t\n\t\t\t\t\t<!--\/.Timline-Title-->\n\t\t\t\t\t<!--Timline-description-->\n\t\t\t\t\t<p>In life, and in art, it is very good to meditate and doubt, but it is essential to draw conclusions. Finish the work.Confinement? &#8230; I haven&#8217;t noticed any change, it must be that since I was 16 I chose to live confined to myself, nature, horses, materials, family&#8230;<\/p>\n\t\t\t\t\t<!--\/.Timline-description-->\n\t\t\t<!--\/.Timline-Content-->\n\t\t<\/li>\n\t\t\t\t<li>\n\t\t\t\t\t\t<!--date-->\n\t\t\t\t<!--Timeline-customcontent-->\n\t\t\t\t\t<p>2020<\/p>\n\t\t\t\t<!--\/.Timeline-customcontent-->\n\t\t\t<!--\/.date-->\n\t\t\t<!--icon-->\n\t\t\t<!--\/.icon-->\n\t\t\t<!--Timline-Content-->\n\t\t\t\t\t<!--Timline-Title-->\n\t\t\t\t\t\n\t\t\t\t\t<!--\/.Timline-Title-->\n\t\t\t\t\t<!--Timline-description-->\n\t\t\t\t\t<p>I&#8217;d love to make sculptures, the way JJ Cale plays the guitar and composes: with the simplicity of having pruned everything unnecessary.<\/p>\n\t\t\t\t\t<!--\/.Timline-description-->\n\t\t\t<!--\/.Timline-Content-->\n\t\t<\/li>\n\t\t\t<\/ul>\n\n","protected":false},"excerpt":{"rendered":"<p>Autobiography I was born at the end of autumn 1956 in Vic (Osona &#8211; Catalonia). Since I was a child, I had a relationship with nature in a quite global way : sea (Llan\u00e7\u00e0, Cap de Creus&#8230;), inland (Plana de Vic&#8230;) and mountains (Les Guilleries, el Cabrer\u00e8s, el Pirineu&#8230;) as well as with the forests [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":1847,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"no-sidebar","site-content-layout":"page-builder","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"default","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-1335","page","type-page","status-publish","hentry"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/ernest-altes.net\/en\/wp-json\/wp\/v2\/pages\/1335","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ernest-altes.net\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ernest-altes.net\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ernest-altes.net\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ernest-altes.net\/en\/wp-json\/wp\/v2\/comments?post=1335"}],"version-history":[{"count":2,"href":"https:\/\/ernest-altes.net\/en\/wp-json\/wp\/v2\/pages\/1335\/revisions"}],"predecessor-version":[{"id":3340,"href":"https:\/\/ernest-altes.net\/en\/wp-json\/wp\/v2\/pages\/1335\/revisions\/3340"}],"up":[{"embeddable":true,"href":"https:\/\/ernest-altes.net\/en\/wp-json\/wp\/v2\/pages\/1847"}],"wp:attachment":[{"href":"https:\/\/ernest-altes.net\/en\/wp-json\/wp\/v2\/media?parent=1335"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}